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But once he thought he heard a voice which answered:
"_Christe, audi nos_."
x.x.xII.
THE DEATH'S-HEAD.
"G.o.d is my witness that I did then everything in the world to divert myself and to heal myself."
A. DE MUSSET (_Confession d'un enfant du Siecle_).
One night he went out by stealth, crossed the market-place, and descended the hill. He had the look of a man who was hiding himself, and he went back several times, as if he was afraid of being followed. He reached the cemetery, took a key from his pocket, cautiously opened the gate and closed it behind him. At the bottom of the princ.i.p.al path there was a little chapel which served for an ossuary. In it was a hideous acc.u.mulation of the remains of several generations. The cemetery was becoming too full and it had been necessary to make room. Here as elsewhere the cry was: "Room for the young." And it is only justice. What would become of as if all the old remained? There is overcrowding under ground as there is above. "Keep off!
Keep off!" Therefore their ancestors' bones were in the way, and they had cast them into this retreat to wait for the common grave. But the common grave is again a place which must be taken, and the recent gluttonous dead want everything. "Keep off! Keep off!" Let us not say anything ourselves, perhaps they will dispute with us the corner of ground which should shelter our bones!
Marcel went into the gloomy chapel; he lighted a dark lantern and began to search among the pile.
Then he returned to the parsonage like a thief, afraid of being caught, and shut himself up in his room.
He had a parcel under his arm; he opened it and, carefully placing its contents on the table, he sat down in front of it and contemplated it for a long time.
x.x.xIII.
FRENZY.
"Abstinence has its deadly exhaustions."
BALZAC (_Le Lys dans la Vallee_).
A few days before, the gravedigger, while digging up the whitened bones of the ancient dead, had broken up with his pick-axe a mouldering coffin, and a head rolled to his feet It was of later date, for the lower jaw was still fastened to it and it had not the calcareous colour of bones buried long ago. It was the more horrible.
The gravedigger threw it into his wheel-barrow with its neighbour's s.h.i.+n-bones, and carried it to the common heap. It was this _thing_ that the Cure of Althausen had coveted and stolen.
He had then placed it on his table and contemplated it in silence. The top of the skull was polished and blunt, the front narrow, the bones small and apparently not having attained their full development. It was therefore a youthful head, the head of an adolescent cut down at the moment, when life completely unfolds itself to hope; while the elliptical shape of the lower maxillary, the small and similarly-shaped teeth, the slight separation of the nasal bones, a few long hairs still adhering to the occiput, clearly indicated its feminine origin.
"A young girl!" murmured Marcel, "a young girl! beautiful perhaps; loved without doubt ... and there is what remains. Ah! if he who was pleased to kiss your lips, could see your dreadful laugh."
And, after he had meditated a long while, he went to his bed, took the plaster virgin from its pedestal, and taking in his two hands the skull, he put it in its place between the serge curtains.
And when the fever seized him, when he was burning with all the flames which the fiery _simoom_ of pa.s.sion breathed on him, and he felt the frenzy taking possession of his pillow, he turned towards the wall and looked at this new companion. Sometimes a moon-beam came and lighted up the hideous skull and played in the gloomy cavities of its sightless eyes. The head then seemed to become animate and its bare teeth gave an infernal grin.
This was his remedy for love.
But we grow used to everything. Custom destroys sensations. Death and its mysteries, the horrible, and all its threatening shapes soon present nothing to our eyes but worn-out pictures. He accustomed himself to contemplate without emotion this lugubrious ruin. As before, the frenzy seized him and shook him before the skull. It did more. It clothed it again with flesh. It planted long hairs upon that s.h.i.+ning, yellow forehead. It placed in the hollow orbits large eyes full of love; it hid the wasted cartillages under quivering nostrils, and upon that horrible jaw it laid rosy lips and a sweet mouth, like a maiden's first kiss. And it is thus that it appeared to him in the shadow, wrapped in the curtains of his bed, like a modest girl who hides herself from sight.
"Oh! sweet phantom, return to life," he said. "Take again thy body adorned with its graces and with its charms; come, clothed in thy sixteen years."
And he stretched his arms towards the enchanting vision, while the death's-head, with its bare jaw, gave its eternal grin.
He woke and found himself kneeling near his bed, facing the wreck of humanity.
Horror soiled him. His empty room was filled with spectres. He saw h.e.l.l-hags with death's-heads sporting and swarming on his bed. At the same time, little sharp, hasty, shrill knocks shook his window.
Fall of terror he ran to open it. A gust of wind, mingled with rain and hail, heat against his face. He was ashamed of his fears and leant his head out to catch the beneficent shower. His brain cooled and his blood grew calm.
He was there for a few minutes, when all at once, under the trees in the market-place, he thought he distinguished two motionless shadows. He thought for an instant that his hallucination lasted still, but soon the shadows drew near. They seemed to walk carefully under the young foliage of the limes in order to avoid the rain, and in one of them he recognized distinctly Suzanne.
x.x.xIV.
THE PROHIBITION.
"Do you know any means of making a woman do that which she has decided that she will not do?"
ERNEST FEYDEAU (_La Comtesse de Chalis_).
That same day, after supper, the Captain had entered the drawing-room where Suzanne was playing the _Requiem_ of Mozart.
--So you are playing Church airs now? he said to her.
--Don't you like this piece, father?
--Not at all.
--Perhaps, said Suzanne smiling, because it is a Ma.s.s.
--My dear child, do you want me to tell you what you are with all your Ma.s.ses?
--What?
--Where did you go this morning?
--At what time?
--At the time when you went out.
--I only went out to go to Ma.s.s.