The Making of Bobby Burnit Part 24

The Widow Larken's uncompromising expression instantly melted, but she did not smile--she grinned. Bobby knew precisely the cause of that amused expression, but if he had needed an interpreter, he had one at his elbow in the person of Biff Bates, who looked up at him with a reflection of the same grin.

"They're all next to you, Bobby," he observed. "The whole town knows that you're the real village goat."

The Widow Larken did not answer Bobby directly. She called back to a blue-overall-clad porter at the end of the lobby:

"Open the dining-room doors, Michael."

Signorina Caravaggio immediately said a few guttural words in German to Professor Fruhlingsvogel, a few limpid words in Italian to Signor Ricardo a few crisp words in French to Madame Villenauve, a nervous but rather attractive little woman with piercing black eyes. The singers of other languages did not wait to be informed; they joined the general stampede toward the ravis.h.i.+ng paradise of midday breakfast, and as the last of them vacated the lobby, the princ.i.p.als no whit behind the humble members of the chorus in crowding and jamming through that doorway, Bobby breathed a sigh of relief. Only the Signorina was left to him, and Bobby hesitated just a moment as it occurred to him that, perhaps, a more personal entertainment was expected by this eminent songstress. Biff Bates, however, relieved him of his dilemma.

"While you're gone down to see the boys at the Idlers' Club," said Biff, "I'm going to take Miss Carry--Miss--Miss--"

"Caravaggio," interrupted the Signorina with a repet.i.tion of a laugh which had convinced Bobby that, after all, she might be a singer, though her speaking voice gave no trace of it.

"Carrie for mine," insisted Biff with a confident grin. "I'm going to take Miss Carrie out to lunch some place where they don't serve prunes. I guess the Hotel Spender will do for us."

Bobby surveyed Biff with an indulgent smile.

"Thanks," said he. "That will give me time to see what I can do."

"You take my advice, Mr. Burnit," earnestly interposed the Signorina.

"Don't bother with your friends. Go and see the manager of the Orpheum and ask him about that open date. Ask him if he thinks it wouldn't be a good investment for you to back us."

Biff, the conservative; Biff, whose vote was invariably for the negative on any proposition involving an investment of Bobby's funds, unexpectedly added his weight for the affirmative.

"It's a good stunt, Bobby. Go to it," he counseled, and the Caravaggio smiled down at him.

Again Bobby laughed.

"All right, Biff," said he. "I'll hunt up the manager of the Orpheum right away."

In his machine he conveyed Biff and the prima donna to the Hotel Spender, and then drove to the Orpheum.

CHAPTER XIX

WITH THE RELUCTANT CONSENT OF AGNES, BOBBY BECOMES A PATRON OF MUSIC

The manager of the Orpheum was a strange evolution. He was a man who had spent a lifetime in the show business, running first a concert hall that "broke into the papers" every Sunday morning with an account of from two to seven fights the night before, then an equally disreputable "burlesque" house, the broad attractions of which appealed to men and boys only. To this, as he made money, he added the cheapest and most blood-curdling melodrama theater in town, then a "regular" house of the second grade. In his career he had endured two divorce cases of the most unattractive sort, and, among quiet and conventional citizens, was supposed to have horns and a barbed tail that snapped sparks where it struck on the pavement. When he first purchased the Orpheum Theater, the most exclusive playhouse of the city, he began to appear in its lobby every night in a dinner-coat or a dress-suit, silk topper and all, with an almost modest diamond stud in his white s.h.i.+rt-front; and ladies, as they came in, asked in awed whispers of their husbands: "Is _that_ Dan Spratt?" Some few who had occasion to meet him went away gasping: "Why, the man seems really nice!" Others of "the profession," about whom the public never knew, spoke his name with tears of grat.i.tude.

Mr. Spratt, immersed in troubles of his own, scarcely looked up as Bobby entered, and only grunted in greeting.

"Spratt," began Bobby, who knew the man quite well through "sporting"

events engineered by Biff Bates, "the Neapolitan Grand Opera Company is stranded here, and--"

"Where are they?" interrupted Spratt eagerly, all his abstraction gone.

"At the Hotel Larken," began Bobby again. "I--"

"Have they got their props and scenery?"

"Everything, I understand," said Bobby. "I came around to see you--"

"Who's running the show?" demanded Spratt.

"Their manager decamped with the money--with what little there was,"

explained Bobby, "and they came to me by accident. I understand you have an open date next week."

"It's not open now," declared Spratt. "The date is filled with the Neapolitan Grand Opera Company."

"There doesn't seem to be much use of my talking, then," said Bobby, smiling.

"Not much," said Spratt. "They're a good company, but I've noticed from the reports that they've been badly managed. The Dago that brought them over didn't know the show business in this country and tried to run the circus himself; and, of course, they've gone on the rocks. It's great luck that they landed here. I just heard a bit ago that they were in town. I suppose they're flat broke."

"Why, yes," said Bobby. "I just went up to the Hotel Larken and said I'd be responsible for their hotel bill."

"Oh," said Spratt. "Then you're backing them for their week here."

"Well, I'm not quite sure about that," hesitated Bobby.

"If you don't, I will," offered Spratt. "There's a long line of full-dress w.i.l.l.i.e.s here that'll draw their week's wages in advance to attend grand opera in cabs. At two and a half for the first sixteen rows they'll pack the house for the week, and every diamond in the hock-shops will get an airing for the occasion. But you saw it first, Burnit, and I won't interfere."

"Well, I don't know," Bobby again hesitated. "I haven't fully--"

"Go ahead," urged Spratt heartily. "It's your pick-up and I'll get mine. Hey, Spencer!"

A thin young man, with hair so light that he seemed to have no hair at all and no eyebrows, came in.

"We've booked the Neapolitan Grand Opera Company for next week. Have they got Caravaggio and Ricardo with them?" he asked, turning abruptly to Bobby.

Bobby, with a smile, nodded his head.

"All right, Spence; get busy on some press stuff for the afternoon papers. You can fake notices about them from what you know. Use two-inch streamers clear across the pages, then you can get some fresh stuff and the repertoire to-night for the morning papers. Play it up strong, Spence. Use plenty of s.p.a.ce; and, say, tell Billy to get ready for a three o'clock rehearsal. Now, Burnit, let's go up to the Larken and make arrangements."

"We might just as well wait an hour," counseled Bobby. "The only one I found in the crowd who could speak English was Signorina Caravaggio."

"I know her," said Spratt. "Her other name's Nora McGinnis. Smart woman, too, and straight as a string; and sing! Why, that big ox can sing a bird off a tree."

"She's just gone over to lunch with Biff Bates at the Spender,"

observed Bobby, "and we'd better wait for her. She seems to be the leading spirit."

"Of course she is. Let's go right over to the Spender."

Biff Bates did not seem overly pleased when his tete-a-tete luncheon was interrupted by Bobby and Mr. Spratt, but the Signorina Nora very quickly made it apparent that business was business. Arrangements were promptly made to attach the carload of effects for back salaries due the company, and to lease these to Bobby for the week for a nominal sum. Bobby was to pay the regular schedule of salaries for that week and make what profit he could. A rehearsal of _Carmen_ was to be called that afternoon at three, and a repertoire was arranged.

Feeling very much exhilarated after all this, Bobby drove out in his automobile after lunch to see Agnes Elliston. He found that young lady and Aunt Constance about to start for a drive, their carriage being already at the door, but without any ceremony he bundled them into his machine instead.