Potterism Part 1

Potterism.

by Rose Macaulay.

TO THE UNSENTIMENTAL PRECISIANS IN THOUGHT, WHO HAVE, ON THIS CONFUSED, INACCURATE, AND EMOTIONAL PLANET, NO FIT HABITATION

'They contract a Habit of talking loosely and confusedly.'--J. CLARKE.

'My dear friend, clear your mind of cant.... Don't _think_ foolishly.'

SAMUEL JOHNSON.

'On the whole we are Not intelligent-- No, no, no, not intelligent.'--W.S. GILBERT.

'Truth may perhaps come to the price of a Pearle, that sheweth best by day; But it will not rise to the price of a Diamond or Carbuncle, that sheweth best in varied lights. A mixture of a Lie doth ever adde Pleasure. Doth any man doubt, that if there were taken out of men's mindes Vaine Opinions, Blattering Hopes, False Valuations, Imaginations as one would, and the like, but it would leave the Mindes of a Number of Men poore shrunken Things, full of Melancholy and Indisposition and unpleasing to themselves?'--FRANCIS BACON.

'What is it that smears the windows of the senses? Thought, convention, self-interest.... We see the narrow world our windows show us not in itself, but in relation to our own needs, moods, and preferences ... for the universe of the natural man is strictly egocentric.... Unless we happen to be artists--and then but rarely--we never know the "thing seen"

in its purity; never from birth to death, look at it with disinterested eyes.... It is disinterestedness, the saint's and poet's love of things for their own sakes ... which is the condition of all real knowledge....

When ... the verb "to have" is ejected from the centre of your consciousness ... your att.i.tude to life will cease to be commercial and become artistic. Then the guardian at the gate, scrutinising and sorting the incoming impressions, will no longer ask, "What use is this to _me?_"... You see things at last as the artist does, for their sake, not for your own.'--EVELYN UNDERHILL.

PART I:

TOLD BY R.M.

CHAPTER I

POTTERS

1

Johnny and Jane Potter, being twins, went through Oxford together. Johnny came up from Rugby and Jane from Roedean. Johnny was at Balliol and Jane at Somerville. Both, having ambitions for literary careers, took the Honours School of English Language and Literature. They were ordinary enough young people; clever without being brilliant, nice-looking without being handsome, active without being athletic, keen without being earnest, popular without being leaders, open-handed without being generous, as revolutionary, as selfish, and as intellectually sn.o.bbish as was proper to their years, and inclined to be jealous one of the other, but linked together by common tastes and by a deep and bitter distaste for their father's newspapers, which were many, and for their mother's novels, which were more. These were, indeed, not fit for perusal at Somerville and Balliol. The danger had been that Somerville and Balliol, till they knew you well, should not know you knew it.

In their first year, the mother of Johnny and Jane ('Leila Yorke,' with 'Mrs. Potter' in brackets after it), had, after spending Eights Week at Oxford, announced her intention of writing an Oxford novel. Oh G.o.d, Jane had cried within herself, not that; anything but that; and firmly she and Johnny had told her mother that already there were _Keddy_, and _Sinister Street_, and _The Pearl_, and _The Girls of St. Ursula's_ (by Annie S. Swan: 'After the races were over, the girls sculled their college barge briskly down the river,'), and that, in short, the thing had been done for good and all, and that was that.

Mrs. Potter still thought she would like to write an Oxford novel.

Because, after all, though there might be many already, none of them were quite like the one she would write. She had tea with Jane in the Somerville garden on Sunday, and though Jane did not ask any of her friends to meet her (for they might have got put in) she saw them all about, and thought what a nice novel they would make. Jane knew she was thinking this, and said, 'They're very commonplace people,' in a discouraging tone. 'Some of them,' Jane added, deserting her own sn.o.bbishness, which was intellectual, for her mother's, which was social, 'are also common.'

'There must be very many,' said Mrs. Potter, looking through her lorgnette at the garden of girls, 'who are neither.'

'Fewer,' said Jane, stubbornly, 'than you would think. Most people are one or the other, I find. Many are both.'

'Try not to be cynical, my pet,' said Leila Yorke, who was never this.

2

That was in June, 1912. In June, 1914, Jane and Johnny went down.

Their University careers had been creditable, if not particularly conspicuous. Johnny had been a fluent speaker at the Union, Jane at the women's intercollegiate Debating Society, and also in the Somerville parliament, where she had been the leader of the Labour Party. Johnny had for a time edited the _Isis_, Jane the _Fritillary_. Johnny had done respectably in Schools, Jane rather better. For Jane had always been just a shade the cleverer; not enough to spoil compet.i.tion, but enough to give Johnny rather harder work to achieve the same results. They had probably both got firsts, but Jane's would be a safe thing, and Johnny would be likely to have a longish _viva_.

Anyhow, here they were, just returned to Potter's Bar, Herts (where Mr.

Percy Potter, liking the name of the village, had lately built a lordly mansion). Excellent friends they were, but as jealous as two little dogs, each for ever on the look-out to see that the other got no undue advantage. Both saw every reason why they should make a success of life.

But Jane knew that, though she might be one up on Johnny as regards Oxford, owing to slightly superior brain power, he was one up on her as regards Life, owing to that awful business s.e.x. Women were handicapped; they had to fight much harder to achieve equal results. People didn't give them jobs in the same way. Young men possessed the earth; young women had to wrest what they wanted out of it piecemeal. Johnny might end a cabinet minister, a notorious journalist, a Labour leader, anything....

Women's jobs were, as a rule, so dowdy and unimportant. Jane was bored to death with this s.e.x business; it wasn't fair. But Jane was determined to live it down. She wouldn't be put off with second-rate jobs; she wouldn't be dowdy and unimportant, like her mother and the other fools; she would have the best that was going.

3

The family dined. At one end of the table was Mr. Potter; a small, bird-like person, of no presence; you had not thought he was so great a man as Potter of the Potter Press. For it was a great press; though not so great as the Northcliffe Press, for it did not produce anything so good as the _Times_ or so bad as the _Weekly Dispatch_; it was more of a piece.

Both commonplace and common was Mr. Percy Potter (according to some standards), but clever, with immense patience, a saving sense of humour, and that imaginative vision without which no newspaper owner, financier, general, politician, poet, or criminal can be great. He was, in fact, greater than the twins would ever be, because he was not at odds with his material: he found such stuff as his dreams were made of ready to his hand, in the great heart of the public--the last place where the twins would have thought of looking.

So did his wife. She was pink-faced and not ill-looking, with the cold blue eyes and rather set mouth possessed (inexplicably) by many writers of fiction. If I have conveyed the impression that Leila Yorke was in the lowest division of this cla.s.s, I have done her less than justice; quite a number of novelists were worse. This was not much satisfaction to her children. Jane said, 'If you do that sort of thing at all, you might as well make a job of it, and sell a million copies. I'd rather be Mrs. Barclay or Ethel Dell or Charles Garvice or Gene Stratton Porter or Ruby Ayres than mother. Mother's merely commonplace; she's not even a by-word--quite. I admire dad more. Dad anyhow gets there.

His stuff sells.'

Mrs. Potter's novels, as a matter of fact, sold quite creditably. They were pleasant to many, readable by more, and quite unmarred by any spark of cleverness, flash of wit, or morbid taint of philosophy.

Gently and unsurprisingly she wrote of life and love as she believed these two things to be, and found a home in the hearts of many fellow-believers. She bored no one who read her, because she could be relied on to give them what they hoped to find--and of how few of us, alas, can this be said! And--she used to say it was because she was a mother--her books were safe for the youngest _jeune fille_, and in these days (even in those days it was so) of loose morality and frank realism, how important this is.

'I hope I am as modern as any one,' Mrs. Potter would say, 'but I see no call to be indecent.'

So many writers do see, or rather hear, this call, and obey it faithfully, that many a parent was grateful to Leila Yorke. (It is only fair to record here that in the year 1918 she heard it herself, and became a psychoa.n.a.lyst. But the time for this was not yet.)

On her right sat her eldest son, Frank, who was a curate in Pimlico. In Frank's face, which was sharp and thin, like his father's, were the marks of some conflict which his father's did not know. You somehow felt that each of the other Potters had one aim, and that Frank had, or, anyhow, felt that he ought to have, another besides, however feebly he aimed at it.

Next him sat his young wife, who had, again, only the one. She was pretty and jolly and brunette, and twisted Frank round her fingers.

Beyond her sat Clare, the eldest daughter, and the daughter at home. She read her mother's novels, and her father's papers, and saw no harm in either. She thought the twins perverse and conceited, which came from being clever at school and college. Clare had never been clever at anything but domestic jobs and needlework. She was a nice, pretty girl, and expected to marry. She snubbed Jane, and Jane, in her irritating and nonchalant way, was rude to her.

On the other side of the table sat the twins, stocky and square-built, and looking very young, with broad jaws and foreheads and wide-set gray eyes. Jane was, to look at, something like an attractive little plump white pig. It is not necessary, at the moment, to say more about her appearance than this, except that, when the time came to bob the hair, she bobbed it.

Johnny was as st.u.r.dy but rather less chubby, and his chin stuck out farther. They had the same kind of smile, and square white teeth, and were greedy. When they had been little, they had watched each other's plates with hostile eyes, to see that neither got too large a helping.

4

Those of us who are old enough will remember that in June and July 1914 the conversation turned largely and tediously on militant suffragists, Irish rebels, and strikers. It was the beginning of the age of violent enforcements of decision by physical action which has lasted ever since and shows as yet no signs of pa.s.sing. The Potter press, like so many other presses, snubbed the militant suffragists, smiled half approvingly on Carson's rebels, and frowned wholly disapprovingly on the strikers. It was a curious age, so near and yet so far, when the ordered frame of things was still unbroken, and violence a child's dream, and poetry and art were taken with immense seriousness. Those of us who can remember it should do so, for it will not return. It has given place to the age of melodrama, when nothing is too strange to happen, and no one is ever surprised. That, too, may pa.s.s, but probably will not, for it is primeval. The other was artificial, a mere product of civilisation, and could not last.

It was in the intervals of talking about the militants (a conversation much like other conversations on the same topic, which were tedious even at the time, and now will certainly not bear recording) that Mrs. Frank said to the twins, 'What are you two going to play at now?'

So extensive a question, opening such vistas. It would have taken, if not less time, anyhow less trouble, to have told Mrs. Frank what they were _not_ going to play at.