Charles the Bold Part 4

[Footnote 10: Kervyn, _Histoire de Flandre_, iv. Kervyn quotes from the _Dagboek des gentsche collatie_, M. Schayes.]

[Footnote 11: Meyer, xvi., 303.]

[Footnote 12: They were charged with using this phrase. Gachard says that they placed at the top of their letter their t.i.tles of sheriffs and deans, as princes and lords take the t.i.tle of their seignories.--(La Marche, ii., 221. _See also_ d'Escouchy, ii., 25.)]

[Footnote 13: La Marche, ii., 230.]

[Footnote 14: a.s.sociations of merchants in foreign cities.]

[Footnote 15: Chastellain, _OEuvres_, ii., 221.]

[Footnote 16: La Marche, ii., 312. Chastellain, ii., 278. See also _Chronique d'Adrian de Budt_, p. 242, etc.]

[Footnote 17: Meyer, p. 313. La Marche, ii., 313. Lavisse, _Histoire de France_, accepts 13,000 as the number slain. Chastellain (ii., 375) puts the number at 22-30,000, including those drowned by the duke's order. Du Clercq lets a certain sympathy for the rebellious people escape his pen. Chastellain and La Marche treat the antagonism to taxes as unreasonable.]

[Footnote 18: Chastellain, ii., 387.]

[Footnote 19: La Marche, ii., 331. The Chastellain MS. is lacking for this event.]

[Footnote 20: _Revue des societes savantes des departements_, 7me.

serie, 6, p. 209.

These two reports were enclosed with brief notes dated July 31 and August 8, 1453, from the ducal attorney at Amont to the magistrates of Baume. The former was one of the highest officials in the Franche-Comte. The reporter might have been one of his secretaries.

The two notes with their unsigned enclosures were discovered (1881)in the archives of the town of Baume-les-Dames.]

[Footnote 21: Kervyn, _Histoire de Flandre_, iv., 494.]

CHAPTER III

THE FEAST OF THE PHEASANT

1454

After the fatigues of this contest with Ghent, followed a period of relaxation for the Burgundian n.o.bles at Lille, where a notable round of gay festivities was enjoyed by the court. Adolph of Cleves inaugurated the series with an entertainment where, among other things, he delighted his friends by a representation of the tale of the miraculous swan,[1] famous in the annals of his house for bringing the opportune knight down the Rhine to wed the forlorn heiress.

When his satisfied guests took their leave, Adolph placed a chaplet on the head of one of the gentlemen, thus designating him to devise a new amus.e.m.e.nt for the company; and under the invitation lurked a tacit challenge to make the coming occasion more brilliant than the first.

Again and again was this process repeated. Entertainment followed entertainment, all a mixture of repasts and vaudeville shows in whose preparation the successive hosts vied with each other to attain perfection.

The hard times, the stress of ready money, so eloquently painted when the merchants were implored to take pity on their poverty-stricken lord, were cast into utter oblivion. It was harvest tide for skilled craftsmen and artisans. Any one blessed with a clever or fantastic idea easily found a market for the product of his brain. He could see his poetic or quaint conception presented to an applauding public with a wealth of paraphernalia that a modern stage manager would not scorn. How much the n.o.bles spent can only be inferred from the ducal accounts, which are eloquent with information about the creators of all this mimic pomp. About six sous a day was the wage earned by a painter, while the plumbers received eight. These latter were called upon to coax pliable lead into all sorts of shapes, often more grotesque than graceful.

One fete followed another from the early autumn of 1453 to February, 1454, when "The Feast of the Pheasant," as the ducal entertainment was called, crowned the series with an elaborate magnificence that has never been surpa.s.sed.

Undoubtedly Philip possessed a genius for dramatic effect and it is more than possible that he instigated the progressive banquets for the express purpose of leading up to the occasion with which he intended to dazzle Europe.[2]

[Ill.u.s.tration: COUNT OF ST. POL AND HIS JESTER]

For the duke's thoughts were now turned from civic revolts to a great international movement which he hoped to see set in motion. Almost coincident with the capitulation of Ghent to Philip's will had been the capitulation of Constantinople to the Turks. The event long dreaded by pope and Christendom had happened at last (May 29, 1453).

Again and again was the necessity for a united opposition to the inroads of the dangerous infidels urged by Rome. On the eve of St.

Martin, 1453, a legate arrived in Lille bringing an official letter from the pope, setting forth the dire stress of the Christian Church, and imploring the mightiest duke of the Occident to be her saviour, and to a.s.sume the leaders.h.i.+p of a crusade in her behalf against the encroaching Turk.[2]

Philip was ready to give heed to the prayer. Whatever the exact sequence of his plans in relation to the court revels, the result was that his own banquet was utilised as a proper occasion for blazoning forth to the world with a flourish of trumpets his august intention of dislodging the invader from the ancient capital of the Eastern empire.

The superintendence of the arrangements for this all-eclipsing fete was entrusted, as La Marche relates,

"to Messire Jehan, Seigneur de Lannoy, Knight of the Golden Fleece, and a skilful ingenious gentleman, and to one Squire Jehan Boudault, a notable and discreet man. And the duke honoured me so far that he desired me to be consulted. Several councils were held for the matter to which the chancellor and the first chamberlain were invited. The latter had just returned from the war in Luxemburg already described.

"These council meetings were very important and very private, and after discussion it was decided what ceremonies and mysteries were to be presented. The duke desired that I should personate the character of Holy Church of which he wished to make use at this a.s.sembly."

As in many half amateur affairs the preparations took more time than was expected. At the first date set, all was not in readiness and the performance was postponed until February 17th. This entailed serious loss upon the provision merchants and they received compensation for the spoiled birds and other perishable edibles.[4]

The gala-day opened with a tournament at which Adolph of Cleves again sported as Knight of the Swan to the applause of the onlookers. After the jousting, the guests adjourned to the banqueting hall, where fancy had indeed, run riot, to make ready for their admiring eyes and their sagacious palates. _Entremets_ is the term applied to the elaborate set pieces and side-shows provided to entertain the feasters between courses, and these were on an unprecedented scale.

Three tables stood prepared respectively for the duke and his suite, for the Count of Charolais, his cousins, and their comrades, and for the knights and ladies. The first table was decorated with marvellous constructions, among which was a cruciform church whose mimic clock tower was capacious enough to hold a whole chorus of singers. The enormous pie in which twenty-eight musicians were discovered when the crust was cut may have been the original of that pasty whose opening revealed four-and-twenty blackbirds in a similar plight. Wild animals wandered gravely at a machinist's will through deep forests, but in the midst of the counterfeit brutes there was at least one live lion, for Gilles le Cat[5] received twenty s.h.i.+llings from the duke for the chain and locks he made to hold the savage beast fast "on the day of the said banquet."

Again there was an anch.o.r.ed s.h.i.+p, manned with a full crew and rigged completely. "I hardly think," observes La Marche, "that the greatest s.h.i.+p in the world has a greater number of ropes and sails."

Before the guests seated themselves they wandered around the hall and inspected the decorations one by one. Nor was their admiration exhausted when they turned to the discussion of the toothsome dainties provided for their delectation.

During the progress of the banquet, the story of Jason was enacted.

Time there certainly was for the play. La Marche estimated forty-eight dishes to every course, though he qualifies his statement by the admission that his memory might be inexact. These dishes were wheeled over the tables in little chariots before each person in turn.

"Such were the mundane marvels that graced the fete," is the conclusion of La Marche's[6] exhaustive enumeration of the masterpieces from artists' workshops and ducal kitchen.

"I will leave them now to record a pity moving _entremets_ which seemed to be more special than the others. Through the portal whence the previous actors had made their entrance, came a giant larger without artifice than any I had ever seen, clad in a long green silk robe, a turban on his head like a Saracen in Granada.

His left hand held a great, old-fas.h.i.+oned two-bladed axe, his right hand led an elephant covered with silk. On its back was a castle wherein sat a lady looking like a nun, wearing a mantle of black cloth and a white head-dress like a recluse.[7]

"Once within the hall and in sight of the n.o.ble company, like one who had work before her, she said to the giant, her conductor:

"'Giant, prithee let me stay For I spy a n.o.ble throng To whom I wish to speak.'

"At these words her guide conducted his charge before the ducal table and there she made a piteous appeal to all a.s.sembled to come to rescue her, Holy Church, fallen into the hands of unbelieving miscreants. As soon as she ceased speaking a body of officers entered the hall, Toison d'Or, king-at-arms, bringing up the rear.

This last carried a live pheasant ornamented with a rich collar of gold studded with jewels. Toison d'Or was followed by two maidens, Mademoiselle Yolande, b.a.s.t.a.r.d daughter of the duke, and Isabelle of Neufchatel, escorted by two gentlemen of the Order. They all proceeded to the host. After greetings, Toison d'Or then said:

"'High and puissant prince and my redoubtable lord, here are ladies who recommend themselves very humbly to you because it is, and has been, the custom at great feasts and n.o.ble a.s.semblies to present to the lords and n.o.bles a peac.o.c.k or some other n.o.ble bird whereon useful and valid vows may be made. I am sent hither with these two demoiselles to present to you this n.o.ble pheasant, praying you to remember them.'

"When these words were said, Monseigneur the duke, who knew for what purpose he had given the banquet, looked at the personified Church, and then, as though in pity for her stress, drew from his bosom a doc.u.ment containing his vow to succour Christianity, as will appear later. The Church manifested her joy, and seeing that my said seigneur had given his vow to Toison d'Or, she again burst forth forth into rhyme:

"'G.o.d be praised and highly served By thee, my son, the foremost peer in France.

Thy sumptuous bearing have I close observed Until it seemed thou wert reserved To bring me my deliverance.

Near and far I seek alliance And pray to G.o.d to grant thee grace To work His pleasure in thy place.

"'0 every prince and n.o.ble, man and knight, Ye see your master pledged to worthy deed.