Alice Sit-By-The-Fire Part 11

AMY. 'We shall see.' She looks about her. Sharply, 'Where is his man?'

RICHARDSON, with the guilt of the chop on her conscience, 'What man?'

AMY, brus.h.i.+ng this subterfuge aside, 'His man. They always have a man.'

RICHARDSON, with spirit, 'He is a man himself.'

AMY. 'Come, girl; who waits on him?'

RICHARDSON. 'Me.'

AMY, rather daunted, 'No man? Very strange.' Fortunately she sees the two plates. 'Stop.' Her eyes glisten. 'Two persons have been dining here!' Richardson begins to tremble. 'Why do you look so scared? Was the other a gentleman?'

RICHARDSON. 'Oh, ma'am.'

AMY, triumphantly, 'It was not!' But her triumph gives way to bewilderment, for she knows that when she left the house her mother was still in it. Then who can the visitor have been? 'Why are you trying to hide that plate? Was it a lady? Girl, tell me was it a lady?'

RICHARDSON, at bay, 'He--he calls her a lady.'

AMY, the omniscient, 'But you know better!'

RICHARDSON. 'Of course I know she ain't a real lady.'

AMY. 'Another woman. And not even a lady.' She has no mercy on the witness. 'Tell me, is this the first time she has dined here?'

RICHARDSON, fixed by Amy's eye, 'No, ma'am--I meant no harm, ma'am.'

AMY. 'I am not blaming _you_. Can you remember how often she has dined here?'

RICHARDSON. 'Well can I remember. Three times last week.'

AMY. 'Three times in one week, monstrous.'

RICHARDSON, with her gown to her eyes, 'Yes, ma'am; I see it now.'

AMY, considering and pouncing, 'Do you think she is an adventuress?'

RICHARDSON. 'What's that?'

AMY. 'Does she smoke cigarettes?'

RICHARDSON, rather spiritedly, 'No, she don't.'

AMY, taken aback, 'Not an adventuress.'

She wishes Ginevra were here to help her. She draws upon her stock of knowledge. 'Can she be secretly married to him? A wife of the past turned up to blackmail him? That's very common.'

RICHARDSON. 'Oh, ma'am, you are terrifying me.'

AMY. 'I wasn't talking to you. You may go. Stop. How long had she been here before I came?'

RICHARDSON. 'She--Her what you are speaking about--'

AMY. 'Come, I must know.' The terrible admission refuses to pa.s.s Richardson's lips, and of a sudden Amy has a dark suspicion. 'Has she gone! Is she here now?'

RICHARDSON. 'It was just a chop. What makes you so grudging of a chop?'

AMY. 'I don't care what they ate. Has she gone?'

RICHARDSON. 'Oh, ma'am.'

The little maid, bearing the dishes, backs to the door, opens it with her foot, and escapes from this terrible visitor. The drawn curtains attract Amy's eagle eye, and she looks behind them. There is no one there. She pulls open the door of the cupboard and says firmly, 'Come out.' No one comes. She peeps into the cupboard and finds it empty. A cupboard and no one in it. How strange. She sits down almost in tears, wis.h.i.+ng very much for the counsel of Ginevra. Thus Steve finds her when he returns.

STEVE. 'I'm awfully glad, Alice, that you--'

He stops abruptly at sight of a strange lady. As for Amy, the word 'Alice' brings her to her feet.

AMY. 'Sir.' A short remark but withering.

STEVE. 'I beg your pardon. I thought--the fact is that I expected--You see you are a stranger to me--my name is Rollo--you are not calling on me, are you?' Amy inclines her head in a way that Ginevra and she have practised. Then she flings back her cloak as suddenly as an expert may open an umbrella. Having done this she awaits results. Steve, however, has no knowledge of how to play his part; he probably favours musical comedy. He says lamely: 'I still think there must be some mistake.'

AMY, in italics, 'There is no mistake.'

STEVE. 'Then is there anything I can do for you?'

AMY, ardently, 'You can do so much.'

STEVE. 'Perhaps if you will sit down--'

Amy decides to humour him so far. She would like to sit in the lovely stage way, when they know so precisely where the chair is that they can sit without a glance at it. But she dare not, though Ginevra would have risked it. Steve is emboldened to say: 'By the way, you have not told me _your_ name.'

AMY, nervously, 'If you please, do you mind my not telling it?'

STEVE. 'Oh, very well.' First he thinks there is something innocent about her request, and then he wonders if 'innocent' is the right word. 'Well, your business, please?' he demands, like the man of the world he hopes some day to be.

AMY. 'Why are you not in evening dress?'

STEVE, taken aback, 'Does that matter?'

AMY, though it still worries her, 'I suppose not.'

STEVE, with growing stiffness, 'Your business, if you will be so good.'

Amy advances upon him. She has been seated in any case as long as they ever do sit on the stage on the same chair.

AMY. 'Stephen Rollo, the game is up.'

She likes this; she will be able to go on now.