The Complete Home Part 4

PAINT, PAPER, AND CALCIMINE

For the kitchen, painted walls, which can be easily wiped off, and resist steam, are preferable to calcimine. Tiling halfway up will be found still better, but tiling paper, which costs more than painting, is scarcely to be chosen. For the bedrooms the professional decorators are disposed to over elaboration. A simple paper, costing 15 to 35 cents per roll, is best, or even plain calcimine, which many persons consider more healthful. The latter costs only $3 or $4 a room and may be renewed every year or two. Very nice effects are had in a Georgia-pine panel tr.i.m.m.i.n.g running to a wood cornice, and in natural wood or painted white. With this the ceiling should be plain white, and if bright-flowered paper is used, pictures should be discarded.

Lively colors, if not too glaring, give a cheerful aspect to the room, but the safer plan is to stick to simplicity.

In the children's room a three-foot wood wainscoting is desirable.

Part of this may be a blackboard without costing more, and at the top a shelf can be placed for toys. Figured nursery papers cost, per roll, from 35 to 75 cents, and will be a never-ceasing source of delight. If the walls are not papered they should be painted, for reasons that need not be suggested. Isn't it wonderful how far a three-foot boy or girl can reach?

SHADES AND CURTAINS

We have not advanced much in the production of window shades that will let in light and air, shut out the gaze of strangers, hold no shadows, match interior and exterior, fit properly, work with ease, cost little, and last forever. The ordinary opaque roller shade still has no serious rival, and usually the best we can do is to see to it that we get a good quality which is not always reliable, rather than a poor quality, which never is.

The good old lace curtains that were the pride of the housekeeper's heart and the jest of the masculine members of the household seem to have had their day. It has been a long one, and any article that holds sway for so lengthy a period must have had some merit. But the soft chintz, linen, madras, or muslin is now the vogue, and there is much good sense in the innovation. No lace curtain ever made could be both artistic and serviceable; some persons go so far as to say that they never were either, but we have too much reverence for tradition to be so iconoclastic. However, they certainly were expensive if they were good enough to have, were difficult to wash, and usually caused a dead line to be drawn about the very choicest part of the room. Linen curtains, costing from 50 cents to $1.25 a yard, may be had in a set or conventional design or plain applique. Chintz and muslin cost less, and some remarkably pretty effects in madras are obtainable. Curtains now sensibly stop at the bottom of the window instead of dragging upon the floor.

Besides shades and curtains the window question involves not only light, ventilation, and artistic relations, but such details as screens and storm windows. These latter matters come under the jurisdiction of the architect and should not be carelessly settled upon. Each room has its uses, to which the window must conform as nearly as may be, and then the outward appearance of the house must not be forgotten. It is often made or marred by the character and placing of the windows.

LEADED PANES AND CAs.e.m.e.nTS

Leaded or art gla.s.s is attractive if not overdone. Small panes are difficult to keep clean, of course; but we can probably endure that if all else be equal. In living rooms the upper sash should be made smaller than the lower, so as to get the median rail above the level of the eye. In some parts of the house a horizontal window gives a fine effect, besides affording light and air without affecting privacy.

Cas.e.m.e.nt windows have their points of excellence, and are additionally expensive chiefly in hardware. The frames are really cheaper, but they must be very accurately fitted to avoid leaks.

Cas.e.m.e.nt windows seriously complicate the screen and storm-window problem, and expert planning is necessary. The durability of screens depends mostly upon their care or abuse, but if it can be afforded, copper wire will usually last sufficiently longer to repay its additional cost. Metal frames are not so essential. The best form is that which covers the entire window and permits both sashes to be freely opened; but this costs practically twice as much as the half-window screen.

STORM WINDOWS

Storm windows should be carefully fitted or they will come far from serving their purpose. If they are of the right sort they will soon repay their cost in easing up the furnace. Preferably they should be swung from the top, both for ventilation and was.h.i.+ng and to avoid a check upon egress in case of fire. Some persons object to storm windows on account of the supposed stoppage of ventilation, but that rests entirely with the occupants of the house. They can get plenty of fresh air without letting the gales of winter have their own sweet will.

With floors, walls, and windows determined upon, we have a good start on the interior of our house. But we may only pause to take breath, for we now have to give most careful consideration to two decidedly important factors in our comfort--lighting and heating.

CHAPTER III

LIGHTING AND HEATING

If common sense has governed our proceedings to date, the new house we are building, or the ready-built one we have chosen, will have full advantage of the one perfect light--that afforded by the sun.

NECESSITY OF SUNLIGHT

The health-giving properties of sunlight are so well known to all of us that we wonder why so many otherwise sensible folk seem to shun it, with trees and vines, awnings and blinds denying access to that which would make the house wholesome. When possible, every room in the house should have its daily ray bath, and our apartments should utilize the light of the sun as early and as late as may be.

Perhaps nature intended all creatures to sleep through the hours of darkness. If we had followed that custom we might be a race of Methuselahs; who knows? Why some one has not established a cult of sleepers from sunset to dawn is really inexplicable. But mankind in general has persisted in holding to a different notion, and since the sun declines to s.h.i.+ne upon us during all the hours of the twenty-four, and we insist upon cutting the night short at one end, we have had to devise subst.i.tutes for the sunlight.

Of course the sunlight does not always leave us in unbroken darkness.

Few of us are so far departed from the days of mellow youth as to forget certain summer evenings, linked in memory with verandas or bowered walks, when moonlight--and even that in a modified form--was the ideal illumination. But even if we could employ the good fairies to dip them up for us, we should find the soft moongleams of the summer evening a rather doubtful aid in searching for the cat in the dark corners of the bas.e.m.e.nt.

Omitting pine knots, which are rather out of vogue, modern home lighting includes four forms--candles, oil lamps, gas, and electricity.

The first-named are not, it is true, used to any extent for what may be called the practical purposes of lighting; but in many ways their light is most beautiful of all. Some charming candelabra suited to the dining table are found in the better shops, and an investment in a choice design is a very justifiable extravagance. Candle illumination is of all varieties the one least trying to the eyes and to the complexion, though its effect upon the temper of the person tending the candles is not so sure to be happy. However, the sort with a hollow center, called Helion candles, require little attention, and the patented candle holders, which work automatically, give no trouble at all.

KEROSENE

Notwithstanding there are some points in favor of the old reliable kerosene lamp, even when put in the scale with other illuminants, few people of the younger generation regard it as other than something to be endured. In view of the facts that an oil lamp requires a great deal of attention, usually leaves its trail of oil and smoke, is ill-smelling, disagreeably hot in summer, and always somewhat dangerous, it is strange that those who cling to it as to a fetich are usually the ones who have longest struggled with its imperfections.

The pretext for this conservatism, whether it be spoken or reserved, is economy. If we are of this cla.s.s, we may be shocked to discover that, after all, kerosene lighting is really no cheaper than gas or electric light, if sufficient illumination is afforded, and insufficient lighting is surely ill-judged economy.

GAS AND MATCHES

Few communities of respectable size are now without gas or electricity, and even in the country the latter is almost everywhere obtainable. If not, an individual gas plant, of which there are several makes, may be installed at a moderate cost. Properly placed, such a plant is safe and easily regulated and will furnish light for somewhat less than the usual charge of the gas companies.

Gas has never fully supplanted kerosene, even where it is readily obtained. Why this is true we need not pause to discuss; perhaps a fairly well-founded suspicion of the meter has had something to do with it. But certainly no one building a house in these days would fail to pipe it for gas if the supply were at hand, even if it were to be used only for kitchen fuel. Gas has its virtues as an illuminant also, and is favored by many on account of the softness of the light.

But while gas is preferable to kerosene, electricity is with equal certainty preferable to gas. It is more adaptable, is in many places quite as reasonable in cost, and is cleaner and safer. In numerous country communities where gas is not to be had electricity is available, as frequently a large region embracing several towns is supplied from a single generating plant.

Gas is subject to fluctuations in quality, sometimes becoming quite dangerous in its effect upon the atmosphere. Water gas, which is very generally manufactured, is said to carry four or five times as much carbon monoxide per unit of bulk as retort gas. It has for the hemoglobin of the blood four hundred times the affinity of oxygen, and a proportion of only two tenths of one per cent may produce heart derangement. While we are wondering that we are alive in the face of such dreadful facts, we may note further that gas is rather variable in its qualities as an illuminant. We have mentioned the suspicious gas meter, whose vagaries doubtless have caused more virtuous indignation with less impression upon its object than anything ever devised. An open flame is always a menace; and then there is the burnt match. Most housekeepers, I am sure, would testify to their belief that matches were not made in heaven. Is there anything that so persistently defies the effort for tidiness as the charred remains of a match, invariably ignited elsewhere than on the sandpaper conspicuously provided, and more likely to be tossed upon the floor or laid upon the mahogany table than to find its way into the receptacles that yearn for it?

For cooking, however, gas must still be a main dependence, and for this reason, as well as to provide for remote emergencies, the house should be piped for gas. At least it should be brought into the house, even if the piping is not continued farther than the kitchen.

ELECTRIC LIGHT

In seeking to secure sufficient light we often go to the extreme of providing a glare that is trying to the eyes and would test the beauty of the loveliest complexion that ever charmed in the revealing light of day. We go further, mayhap, and concentrate the glare upon the center of the room, with a shade of bright green which gives an unearthly but not a heavenly cast to all the unfortunate humans who come under its belying influence.

Objection is sometimes made to electric light that it is too powerful, and that it is difficult to modify and control. This impression is due to the tendency of which we have spoken--the working out of the thought that proper lighting is a question of quant.i.ty. For some persons the ideal arrangement would seem to be a searchlight at each corner of the room, with a few arc lights suspended from a mirrored ceiling.

Electric light, to furnish the most agreeable effects, must be softened and properly diffused. If the light units that so perfectly illumine a room during the day were concentrated they would make a blinding glare, but diffused they are properly tempered to the eye. The common thought seems to be to put all the lights of the living room in the center, and to make them so powerful that they will penetrate every corner of the room and make it "light as day." In consequence the center is overlighted, and instead of a similitude of daylight we have unreality.

PLEASING ARRANGEMENT

For the dining-room and library table some form of drop light is essential. There are arrangements that will transform the banquet or student lamp into an electric drop light, or the special outfits for this use may be had in some very artistic designs. For general lighting, wall sconces, lanterns, or brackets are preferable. Some of these are very beautiful, though there is a tendency to overelaboration. Design, of course, should be in keeping with the general decoration and outfitting of the room. Instead of four sixteen-candle-power lights in a center chandelier, eight of eight-candle power will "spread" the illumination better and add little to the expense, except for fixtures. In beamed ceilings which are not too high, the effect of lights placed upon the beams is pleasing, though the effect upon the monthly bill may not have the same aspect.

Electric lamps at the sides should be at a fair height and throw their light downward, instead of wasting it upon the ceiling.

The pretty lanterns of antique design are expensive, the simplest sort costing $4 or $5 apiece. There are numerous artistic brackets, however, that may be had for smaller amounts. Bulbs are made in all sorts of shapes to fit recesses or for special purposes, and the designs in shades and candelabra are legion.