Foes Part 4

"I don't know what I want.... I want to journey--and journey--and journey ... with a book along."

"Do you like books?"

"Aye, fine!"

"I like them right well. Are there any pretty girls around here?"

"I don't know. I don't like girls."

"I like them at times, in their places. You must wrestle bravely, you're so strong in the shoulder and long in the arm!"

"You're not so big, but you look strong yourself."

Each measured the other with his eyes. Friends.h.i.+p was already here. It was as though hand had fitted into glove.

"What is your dog named?"

"Hector."

"Mine's Bran. You come to Glenfernie to-morrow and I'll show you a place that's all mine. It's the room in the old keep. I've books there and apples and nuts and curiosities. There's a big fireplace, and my father's let me build a furnace besides, and I've kettles and crucibles and pans and vials--"

"What for?"

Alexander paused and gazed at Ian, then gave into his keeping the great secret. "Alchemy. I'm trying to change lead into gold."

Ian thrilled. "I'll come! I'll ride over. I've a beautiful mare."

"It's not eight miles--"

"I'll come. We're just in at Black Hill, you see, and I've had no time to make a place like that! But I'll show you my room. Here's the park gate."

They walked up an avenue overarched by elms, to a house old but not so old, once half-ruinous, but now mended and being mended, enlarged, and decorated, the aim a s.p.a.cious place alike venerable and modern.

Workmen yet swarmed about it. The whole presented a busy, cheerful aspect--a gracious one, also, for under a monster elm before the terrace was found the master and owner, Mr. Archibald Touris. He greeted the youths with a manner meant to exhibit the expansive heart of a country gentleman.

"You've found each other out, have you? Why, you look born to be friends! That's as it should be.--And what, Alexander, do you think of Black Hill?"

"It looks finely a rich man's place, sir."

Mr. Touris laughed at his country bluntness, but did not take the tribute amiss. "Not so rich--not so mighty rich. But enough, enough!

If Ian here behaves himself he'll have enough!" A master workman called him away. He went with a large wave of the hand. "Make yourself at home, Alexander! Take him, Ian, to see your aunt Alison." He was gone with the workman.

"I'll take you there presently," said Ian. "I'm fond of Aunt Alison--you'll like her, too--but she'll keep. Let's go see my mare Fatima, and then my room."

Fatima was a most beautiful young, snowy Arabian. Alexander sighed with delight when they led her out from her stable and she walked about with Ian beside her, and when presently Ian mounted she curveted and caracoled. Ian and she suited each other. Indefinably, there was about him, too, something Eastern. The two went to and fro, the mare's hoofs striking music from the flags. Behind them ran a gray range of buildings overtopped by bushy willows. Alexander sat on a stone bench, hugged his knees, and felt true love for the sight. Ian had come to him like a gift from the blue.

Ian dismounted, and they watched Fatima disappear into her stall.

"Come now and see the house."

The house was large and c.u.mbered with furniture too much and too rich for the Scotch countryside. Ian's room had a great, rich bed and a dressing-table that drew from Alexander a whistle, contemplative and scornful. But there were other matters besides luxury of couch and toilet. Slung against the wall appeared a fine carbine, the pistols and sword of Ian's father, and a wonderful long, twisted, and damascened knife or dirk--creese, Ian called it--that had come in some trading-s.h.i.+p of his uncle's. And he had books in a small closet room, and a picture that the two stood before.

"Where did you get it?"

"There was an Italian who owed my uncle a debt. He had no money, so he gave him this. He said that it was painted a long time ago and that it was very fine."

"What is it?"

"It is a Bible piece. This is a city of refuge. This is a sinner fleeing to it, and here behind him is the avenger of blood. You can't see, it is so dark. There!" He drew the window-curtain quite aside. A flood of light came in and washed the picture.

"I see. What is it doing here?"

"I don't know. I liked it. I suppose Aunt Alison thought it might hang here."

"I like to see pictures in my mind. But things like that poison me!

Let's see the rest of the house."

They went again through Ian's room. Coming to a fine carved ambry, he hesitated, then stood still. "I'm going to show you something else! I show it to you because I trust you. It's like your telling me about your making gold out of lead." He opened a door of the ambry, pulled out a drawer, and, pressing some spring, revealed a narrow, secret shelf. His hand went into the dimness and came out bearing a silver goblet. This he set carefully upon a neighboring table, and looked at Alexander somewhat aslant out of long, golden-brown eyes.

"It's a bonny goblet," said Alexander. "Why do you keep it like that?"

Ian looked around him. "Years and years ago my father, who is dead now, was in France. There was a banquet at Saint-Germain. _A very great person_ gave it and was in presence himself. All the gentlemen his guests drank a toast for which the finest wine was poured in especial goblets. Afterward each was given for a token the cup from which he drank.... Before he died my father gave me this. But of course I have to keep it secret. My uncle and all the world around here are Whigs!"

"James Stewart!" quoth Alexander. "Humph!"

"Remember that you have not seen it," said Ian, "and that I never said aught to you but _King George, King George!_" With that he restored the goblet to the secret shelf, put back the drawer, and shut the ambry door. "Friends trust one another in little and big.--Now let's go see Aunt Alison."

They went in silence along a corridor where every footfall was subdued in India matting. Alexander spoke once:

"I feel all through me that we're friends. But you're a terrible fool there!"

"I am not," said Ian. His voice carried the truth of his own feeling.

"I am like my father and mother and the chieftains my kin, and I have been with certain kings ever since there were kings. Others think otherwise, but I've got my rights!"

With that they came to the open door of a room. A voice spoke from within:

"Ian!"

Ian crossed the threshold. "May we come in, Aunt Alison? It's Alexander Jardine of Glenfernie."

A tall, three-leaved screen pictured with paG.o.das, palms, and macaws stood between the door and the rest of the room. "Come, of course!"

said the voice behind this.

Pa.s.sing the last paG.o.da edge, the two entered a white-paneled parlor where a lady in dove-gray muslin overlooked the unpacking of fine china. She turned in the great chair where she sat. "I am truly glad to see Alexander Jardine!" When he went up to her she took his two hands in hers. "I remember your mother and how fine a la.s.sie she was!

Good mind and good heart--"

"We've heard of you, too," answered Alexander. He looked at her in frank admiration, _Eh, but you're bonny!_ written in his gaze.

Mrs. Alison, as they called her, was something more than bonny. She had loveliness. More than that, she breathed a cleanliness of spirit, a lucid peace, a fibered self-mastery pa.s.sing into light. Alexander did not a.n.a.lyze his feeling for her, but it was presently one of great liking. Now she sat in her great chair while the maids went on with the unpacking, and questioned him about Glenfernie and all the family and life there. She was slight, not tall, with hair prematurely white, needing no powder. She sat and talked with her hand upon Ian.

While she talked she glanced from the one youth to the other. At last she said: