The Temple of Nature; or, the Origin of Society - LightNovelsOnl.com
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"So Trapa rooted in pellucid tides, In countless threads her breathing leaves divides, Waves her bright tresses in the watery ma.s.s, And drinks with gelid gills the vital gas; Then broader leaves in shadowy files advance, Spread o'er the crystal flood their green expanse; 340 And, as in air the adherent dew exhales, Court the warm sun, and breathe ethereal gales.
[Footnote: _So Trapa rooted_, l. 335. The lower leaves of this plant grow under water, and are divided into minute capillary ramifications; while the upper leaves are broad and round, and have air bladders in their footstalks to support them above the surface of the water. As the aerial leaves of vegetables do the office of lungs, by exposing a large surface of vessels with their contained fluids to the influence of the air; so these aquatic leaves answer a similar purpose like the gills of fish, and perhaps gain from water a similar material. As the material thus necessary to life seems to be more easily acquired from air than from water, the subaquatic leaves of this plant and of sisymbrium, oenanthe, ranunculus aquatilis, water crow-foot, and some others, are cut into fine divisions to increase the surface, whilst those above water are undivided; see Botanic Garden, Vol. II. Canto IV. l. 204. Note.
Few of the water plants of this country are used for economical purposes, but the ranunculus fluviatilis may be worth cultivation; as on the borders of the river Avon, near Ringwood, the cottagers cut this plant every morning in boats, almost all the year round, to feed their cows, which appear in good condition, and give a due quant.i.ty of milk; see a paper from Dr. Pultney in the Transactions of the Linnean Society, Vol. V.]
"So still the Tadpole cleaves the watery vale With balanc'd fins, and undulating tail; New lungs and limbs proclaim his second birth, Breathe the dry air, and bound upon the earth.
So from deep lakes the dread Musquito springs, Drinks the soft breeze, and dries his tender wings, In twinkling squadrons cuts his airy way, Dips his red trunk in blood, and man his prey. 350
[Footnote: _So still the Tadpole_, l. 343. The transformation of the tadpole from an aquatic animal into an aerial one is abundantly curious, when first it is hatched from the sp.a.w.n by the warmth of the season, it resembles a fish; it afterwards puts forth legs, and resembles a lizard; and finally losing its tail, and acquiring lungs instead of gills, becomes an aerial quadruped.
The rana temporaria of Linneus lives in the water in spring, and on the land in summer, and catches flies. Of the rana paradoxa the larva or tadpole is as large as the frog, and dwells in Surinam, whence the mistake of Merian and of Seba, who call it a frog fish. The esculent frog is green, with three yellow lines from the mouth to the a.n.u.s; the back transversely gibbous, the hinder feet palmated; its more frequent croaking in the evenings is said to foretell rain.
Linnei Syst. Nat. Art. rana.
Linneus a.s.serts in his introduction to the cla.s.s Amphibia, that frogs are so nearly allied to lizards, lizards to serpents, and serpents to fish, that the boundaries of these orders can scarcely be ascertained.]
[Footnote: _The dread Musquito springs_, l. 347. See Additional Note IV.]
"So still the Diodons, amphibious tribe, With two-fold lungs the sea or air imbibe; Allied to fish, the lizard cleaves the flood With one-cell'd heart, and dark frigescent blood; Half-reasoning Beavers long-unbreathing dart Through Erie's waves with perforated heart; With gills and lungs respiring Lampreys steer, Kiss the rude rocks, and suck till they adhere; The lazy Remora's inhaling lips, Hung on the keel, r.e.t.a.r.d the struggling s.h.i.+ps; 360 With gills pulmonic breathes the enormous Whale, And spouts aquatic columns to the gale; Sports on the s.h.i.+ning wave at noontide hours, And s.h.i.+fting rainbows crest the rising showers.
[Footnote: _So still the Diodon_, l. 351. See Additional Note V.]
[Footnote: _At noontide hours_, l. 363. The rainbows in our lat.i.tude are only seen in the mornings or evenings, when the sun is not much more than forty-two degrees high. In the more northern lat.i.tudes, where the meridian sun is not more than forty-two degrees high, they are also visible at noon.]
"So erst, ere rose the science to record In letter'd syllables the volant word; Whence chemic arts, disclosed in pictured lines, Liv'd to mankind by hieroglyphic signs; And cl.u.s.tering stars, pourtray'd on mimic spheres, a.s.sumed the forms of lions, bulls, and bears; 370 --So erst, as Egypt's rude designs explain, Rose young DIONE from the sh.o.r.eless main; Type of organic Nature! source of bliss!
Emerging Beauty from the vast abyss!
Sublime on Chaos borne, the G.o.ddess stood, And smiled enchantment on the troubled flood; The warring elements to peace restored, And young Reflection wondered and adored."
[Footnote: _As Egypt's rude design_, l. 371. See Additional Note VI.]
[Footnote: _Rose young Dione_, l. 372. The hieroglyphic figure of Venus rising from the sea supported on a sh.e.l.l by two tritons, as well as that of Hercules armed with a club, appear to be remains of the most remote antiquity. As the former is devoid of grace, and of the pictorial art of design, as one half of the group exactly resembles the other; and as that of Hercules is armed with a club, which was the first weapon.
The Venus seems to have represented the beauty of organic Nature rising from the sea, and afterwards became simply an emblem of ideal beauty; while the figure of Adonis was probably designed to represent the more abstracted idea of life or animation. Some of these hieroglyphic designs seem to evince the profound investigations in science of the Egyptian philosophers, and to have outlived all written language; and still const.i.tute the symbols, by which painters and poets give form and animation to abstracted ideas, as to those of strength and beauty in the above instances.]
Now paused the Nymph,--The Muse responsive cries, Sweet admiration sparkling in her eyes, 380 "Drawn by your pencil, by your hand unfurl'd, Bright s.h.i.+nes the tablet of the dawning world; Amazed the Sea's prolific depths I view, And VENUS rising from the waves in YOU!
"Still Nature's births enclosed in egg or seed From the tall forest to the lowly weed, Her beaux and beauties, b.u.t.terflies and worms, Rise from aquatic to aerial forms.
Thus in the womb the nascent infant laves Its natant form in the circ.u.mfluent waves; 390 With perforated heart unbreathing swims, Awakes and stretches all its recent limbs; With gills placental seeks the arterial flood, And drinks pure ether from its Mother's blood.
Erewhile the landed Stranger bursts his way, From the warm wave emerging into day; Feels the chill blast, and piercing light, and tries His tender lungs, and rolls his dazzled eyes; Gives to the pa.s.sing gale his curling hair, And steps a dry inhabitant of air. 400
[Footnote: _Awakes and stretches_, l. 392. During the first six months of gestation, the embryon probably sleeps, as it seems to have no use for voluntary power; it then seems to awake, and to stretch its limbs, and change its posture in some degree, which is termed quickening.]
[Footnote: _With gills placental_, l. 393. The placenta adheres to any side of the uterus in natural gestation, or of any other cavity in extra-uterine gestation; the extremities of its arteries and veins probably permeate the arteries of the mother, and absorb from thence through their fine coats the oxygen of the mother's blood; hence when the placenta is withdrawn, the side of the uterus, where it adhered, bleeds; but not the extremities of its own vessels.]
[Footnote: _His dazzled eyes_, l. 398. Though the membrana pupillaris described by modern anatomists guards the tender retina from too much light; the young infant nevertheless seems to feel the presence of it by its frequently moving its eyes, before it can distinguish common objects.]
"Creative Nile, as taught in ancient song, So charm'd to life his animated throng; O'er his wide realms the slow-subsiding flood Left the rich treasures of organic mud; While with quick growth young Vegetation yields Her blus.h.i.+ng orchards, and her waving fields; Pomona's hand replenish'd Plenty's horn, And Ceres laugh'd amid her seas of corn.-- Bird, beast, and reptile, spring from sudden birth, Raise their new forms, half-animal, half-earth; 410 The roaring lion shakes his tawny mane, His struggling limbs still rooted in the plain; With flapping wings a.s.surgent eagles toil To rend their talons from the adhesive soil; The impatient serpent lifts his crested head, And drags his train unfinish'd from the bed.-- As Warmth and Moisture blend their magic spells, And brood with mingling wings the slimy dells; Contractile earths in sentient forms arrange, And Life triumphant stays their chemic change." 420
[Footnote: _As warmth and moisture_, l. 417.
In eodem corpore saepe Altera pars vivit; rudis est pars altera tellus.
Quippe ubi temperiem sumpsere humorque calorque, Concipiunt; & ab his oriuntur, cuncta duobus.
OVID. MET. l. 1. 430.
This story from Ovid of the production of animals from the mud of the Nile seems to be of Egyptian origin, and is probably a poetical account of the opinions of the magi or priests of that country; showing that the simplest animations were spontaneously produced like chemical combinations, but were distinguished from the latter by their perpetual improvement by the power of reproduction, first by solitary, and then by s.e.xual generation; whereas the products of natural chemistry are only enlarged by accretion, or purified by filtration.]
Then hand in hand along the waving glades The virgin Sisters pa.s.s beneath the shades; Ascend the winding steps with pausing march, And seek the Portico's susurrant arch; Whose sculptur'd architrave on columns borne Drinks the first blushes of the rising morn, Whose fretted roof an ample s.h.i.+eld displays, And guards the Beauties from meridian rays.
While on light step enamour'd Zephyr springs, And fans their glowing features with his wings, 430 Imbibes the fragrance of the vernal flowers, And speeds with kisses sweet the dancing Hours.
Urania, leaning with unstudied grace, Rests her white elbow on a column's base; Awhile reflecting takes her silent stand, Her fair cheek press'd upon her lily hand; Then, as awaking from ideal trance, On the smooth floor her pausing steps advance, Waves high her arm, upturns her lucid eyes, Marks the wide scenes of ocean, earth, and skies; 440 And leads, meandering as it rolls along Through Nature's walks, the s.h.i.+ning stream of Song.
First her sweet voice in plaintive accents chains The Muse's ear with fascinating strains; Reverts awhile to elemental strife, The change of form, and brevity of life; Then tells how potent Love with torch sublime Relights the glimmering lamp, and conquers Time.
--The polish'd walls reflect her rosy smiles, And sweet-ton'd echoes talk along the ailes. 450
END OF CANTO I.
ORIGIN OF SOCIETY.
CANTO II.
REPRODUCTION OF LIFE.
CONTENTS.
I. Brevity of Life 1. Reproduction 13. Animals improve 31. Life and Death alternate 37. Adonis emblem of Mortal Life 45. II. Solitary reproduction 61. Buds, Bulbs, Polypus 65. Truffle; Buds of trees how generated 71. Volvox, Polypus, Taenia, Oysters, Corals, are without s.e.x 83. Storge G.o.ddess of Parental Love; First chain of Society 92. III.
Female s.e.x produced 103. Tulip bulbs, Aphis 125. Eve from Adam's rib 135. IV. Hereditary diseases 159. Grafted trees, bulbous roots degenerate 167. Gout, Mania, Scrofula, Consumption 177. Time and Nature 185. V. Urania and the Muse lament 205. Cupid and Psyche, the deities of s.e.xual love 221. Speech of Hymen 239. Second chain of Society 250. Young Desire 251. Love and Beauty save the world 257.
Vegetable s.e.xes, Anthers and Stigmas salute 263. Vegetable s.e.xual generation 271. Anthers of Vallisneria float to the Stigmas 279. Ant, Lampyris, Glow-Worm, Snail 287. Silk-Worm 293. VI. Demon of Jealousy 307. c.o.c.ks, Quails, Stags, Boars 313. Knights of Romance 327. Helen and Paris 333. Connubial love 341. Married Birds, nests of the Linnet and Nightingale 343. Lions, Tigers, Bulls, Horses 357. Triumphal car of Cupid 361. Fish, Birds, Insects 371. Vegetables 389. March of Hymen 411. His lamp 419. VII. Urania's advice to her Nymphs 425. Dines with the Muse on forbidden Fruit 435. Angels visit Abraham 447-458.
CANTO II.
REPRODUCTION OF LIFE.
I. "How short the span of LIFE! some hours possess'd, Warm but to cool, and active but to rest!-- The age-worn fibres goaded to contract, By repet.i.tion palsied, cease to act; When Time's cold hands the languid senses seize, Chill the dull nerves, the lingering currents freeze; Organic matter, unreclaim'd by Life, Reverts to elements by chemic strife.
Thus Heat evolv'd from some fermenting ma.s.s Expands the kindling atoms into gas; 10 Which sink ere long in cold concentric rings, Condensed, on Gravity's descending wings.
[Footnote: _How short the span of Life_, l. 1. The thinking few in all ages have complained of the brevity of life, lamenting that mankind are not allowed time sufficient to cultivate science, or to improve their intellect. Hippocrates introduces his celebrated aphorisms with this idea; "Life is short, science long, opportunities of knowledge rare, experiments fallacious, and reasoning difficult."--A melancholy reflection to philosophers!]